1856-1925 John Singer Sargent Locations John Singer Sargent (January 12, 1856 ?C April 14, 1925) was the most successful portrait painter of his era. During his career, he created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings. His oeuvre documents worldwide travel, from Venice to the Tyrol, Corfu, the Middle East, Montana, Maine, and Florida. Before Sargent??s birth, his father FitzWilliam was an eye surgeon at the Wills Hospital in Philadelphia. After his older sister died at the age of two, his mother Mary (n??e Singer) suffered a mental collapse and the couple decided to go abroad to recover. They remained nomadic ex-patriates for the rest of their lives. Though based in Paris, Sargent??s parents moved regularly with the seasons to the sea and the mountain resorts in France, Germany, Italy, and Switzerland. While she was pregnant, they stopped in Florence, Italy because of a cholera epidemic, and there Sargent was born in 1856. A year later, his sister Mary was born. After her birth FitzWilliam reluctantly resigned his post in Philadelphia and accepted his wife??s entreaties to remain abroad. They lived modestly on a small inheritance and savings, living an isolated life with their children and generally avoiding society and other Americans except for friends in the art world. Four more children were born abroad of whom two lived past childhood. Though his father was a patient teacher of basic subjects, young Sargent was a rambunctious child, more interested in outdoor activities than his studies. As his father wrote home, ??He is quite a close observer of animated nature.?? Contrary to his father, his mother was quite convinced that traveling around Europe, visiting museums and churches, would give young Sargent a satisfactory education. Several attempts to give him formal schooling failed, owning mostly to their itinerant life. She was a fine amateur artist and his father was a skilled medical illustrator. Early on, she gave him sketchbooks and encouraged drawing excursions. Young Sargent worked with care on his drawings, and he enthusiastically copied images from the Illustrated London News of ships and made detailed sketches of landscapes. FitzWilliam had hoped that his son??s interest in ships and the sea might lead him toward a naval career. At thirteen, his mother reported that John ??sketches quite nicely, & has a remarkably quick and correct eye. If we could afford to give him really good lessons, he would soon be quite a little artist.?? At age thirteen, he received some watercolor lessons from Carl Welsch, a German landscape painter. Though his education was far from complete, Sargent grew up to be a highly literate and cosmopolitan young man, accomplished in art, music, and literature. He was fluent in French, Italian, and German. At seventeen, Sargent was described as ??willful, curious, determined and strong?? (after his mother) yet shy, generous, and modest (after his father). He was well-acquainted with many of the great masters from first hand observation, as he wrote in 1874, ??I have learned in Venice to admire Tintoretto immensely and to consider him perhaps second only to Michael Angelo and Titian.??  Related Paintings of John Singer Sargent :. | Morning Walk Detail | Head of an Italian Woman | Robert Louis Stevenson (mk18) | Dennis Miller Bunker Painting at Calcot | Madame X |
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Sergei Sudeikin
Well-known Russian and emigre Symbolist painter, graphic artist, theater and film designer,1882-1946 was a Russian artist and set-designer associated with the Ballets Russes and the Metropolitan Opera. Having been banned from the Moscow School of Painting, Sculpture and Architecture for his "obscene drawings", Sudeikin joined the Mir Iskusstva movement. His close friends included the poet Mikhail Kuzmin and the impresario Serge Diaghilev, at whose invitation he came to Paris in 1906 for the Salon d'Automne Exhibition, where his work was first shown abroad. In 1907-1918, he was married to actress Olga Glebova (1885-1945), one of the famed beauties of St Petersburg and the closest friend of Anna Akhmatova. Glebova-Sudeikina is the principal character and addressee of Akhmatova's longest work, "The Poem Without Hero" (1940-65). Sudeikin designed the sets and costumes for Diaghilev's production of La trag??die de Salome by Florent Schmitt in 1913, and assisted in the execution of Nicholas Roerich's designs for Stravinsky's The Rite of Spring the same year. By the time of the October Revolution Sudeikin was among the foremost theatrical designers in Russia.
Edward Moran
(August 19, 1829 in Bolton, Lancashire, England -June 8, 1901 in New York City) was an American artist. He emigrated with his family to America at the age of 15, and subsequently settled in Philadelphia, where after having followed his fathers trade of weaver, he became a pupil of James Hamilton and Paul Weber. In 1862 he became a pupil of the Royal Academy in London; he established a studio in New York in 1872, and for many years after 1877 lived in Paris. He was a painter of marine subjects and examples of his work such as Devile Crag; Island of Grand Manan are in many prominent collections. Among his canvases are 13 historical paintings, intended to illustrate the marine history of America from the time of Leif Ericsson to the return of Admiral Dewey's fleet from the Philippines in 1899. His sons Edward Percy Moran (born 1862) and Leon Moran (born 1864), and his brothers Peter Moran (born 1842) and Thomas Moran.
Peter Snayers
(1592 - 1666 or 1667) was a Flemish Baroque painter known for representations of historical battle scenes.Born in Antwerp, he studied under Sebastiaen Vrancx before joining Antwerp's Guild of St. Luke in 1612. By 1628, Snayers was a citizen in Brussels.